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It looks like most of the standard functionality will remain the same, but theres also an inspiring new mastering tool called Zen Master. This lets you save your master settings as presets for use in playback, and will give you the chance to tweak the master settings in the future, and save your tweaks too. There will be no sacrifice in quality here, and youll be able to compare clips side-by-side with the ability to adjust settings such as Max For Live and dynamics after the fact. There will also be a host of new expansion tools from which to choose, including Shift (a high-pass filter with resonance), Spiral (a two-band equaliser), Veloce (a stereo link/chain) and Relay (a stereo comb). Theres also a new editor called Autoladder which lets you create more tracks from MIDI clips by linking them together. You can solo, mute and wind clips at any point in the chain, and control the order of playback.
The workflow tools are designed around the idea that there are many different kinds of users, and the whole point of Max for Live is to make it easy to make all kinds of devices, rather than making a powerful device and making it hard to use. So instead of using Dialogs, or fiddling with a librarian panel, theres a new Browse tab that lets you sort your content and search it. You can drag clips around the browser and it will become a representation of your clips. You can then search for clips by name or type; browse all your devices and groups; and even view a visual preview of the content of your browser by using the plugin.
If youre a parent and you own a Sonos system, you should be in blissful bliss with the new integration, which gives you the ability to preview any track from your track library on the Sonos app and then adjust the volume for that track. This isnt the only new Sonos integration on offer. You can now use Sonos Streamers to share and control Sonos connected devices via Sonos Bridge; a new Chromecast Audio feature lets you send Live clips directly to your audio receiver; and Sonos can now control Ableton Live devices and apps (including the new Max for Live integration) via the Sonos desktop app.
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The Solfeggio and MIDI Packs are welcome additions, providing excellent-sounding percussion to segue into future projects. The Solfeggio includes a wide selection of drums, cymbals, and unique snares and hi-hats, along with an array of open space sounds. The effect section is somewhat limited, with presets for a hihat + snare pattern and three forms of the effect. But the differences in the combinations of open spaces and percussion sounds are already enough to keep me coming back. Live now has some excellent tutorial resources, and is definitely not lacking in power users, so theres no excuse not to give these packs a try. However, its a little puzzling to me why the MIDI Pack doesnt include a load of samples like those from the Strings Pack, rather than forcing MIDI users to upgrade.
Ableton Live Free Download includes a batch effect processing chain, a rack of effect plugins, and a synth instrument that can be played live. If you want to manipulate audio or effects live on a track, you can do it with the automation envelope that lets you use velocity to control settings. In the spectrum analyzer, it’s easy to move between different input sources, record, and so on. You can also export your project into a variety of common audio file formats, such as AIFF, WAV, MP3, Ogg Vorbis, FLAC, and APE. Live 10 also has useful tools for learning audio engineering. You can compare audio clip waveforms and settings with the waveform palette, view waveform zoom or visualize frequency bands with the band tool, and more.
The Plus edition of the program is now $330, which is an additional $100 from version 10. While the program can only be used as either a stand-alone application or for a free upgrade, there’s a professional version with unlimited tracks and sessions, and a more powerful toolset for $795. If you’re constantly working with audio and MIDI data, you need this software, and it’s well worth the money. One last fun thing about Live, its main selling point is that it’s based on a much-improved version of Apple’s OS X operating system. This means that Mac users can create and use projects in the software by connecting to a regular computer through the network, and so they can sync their data over to other computers.
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Ableton Live Features
Live has a powerful sampler that combines audio and MIDI audio sources into a single source. This allows the sound designer to sample individual instruments and then trigger the samples with any number of events such as note on, note off and volume change. This sampler can be used to load audio and MIDI inputs as well as track markers, providing a complete sound design tool. Max for Live is a complete DAW in itself.
Live is unique because the author has spent the last two decades perfecting his work with a goal of creating the most powerful DAW on the market. The result is an amazing tool that can be used for anything from live performance to composing and recording. The ability to take instruments out of a rack and insert them into a session or use them as an outboard/loop pedal is incredibly powerful.
Of course, these devices cannot be used in the Max-hosted browser, but can be loaded into your own projects via Max for Live, as shown in the image below, and you can then use the device in your Max Projects on all Mac, PC and Linux computers.
The rest of my 2 hour Live session was spent working on the following three compositions. Its certainly an exciting time for music production. I hope you enjoy my session, and more importantly I hope you get the chance to experience what I have been talking about with all this generative tech. I would also love to hear your thoughts on my compositions! Below youll find my own descriptions and compositional ideas that I made a point to include.
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Ableton Live Features
- Multiple Inputs
- Buss Presets
- LFO Presets
- Global Max
- Big Knobs
- Note Collections
What’s new in Ableton Live
- Layout : A new layout system is in place, offering two views. In the Layout view, icons represent the areas of your user interface, and items youre most likely to access. You can quickly access the areas by just mousing over them. You can also access areas using keyboard shortcuts, and drag items from a canvas on to a layout. Editing items that are grouped in layouts – like the MIDI map or the Effects Rack – are now much easier and faster than ever. In a new tutorial video, Ableton Live Creative Director Alex Lustig walks us through the new Layout system.
- Drag & Drop : You can drag and drop items from anywhere in the Live user interface and use them wherever you want. For example, you can drop effects on your channel strips or other things within the session. You can even drag and drop Audio clips between clips within the DAW.
- Reverb : Reverb is added to all MIDI instruments. It performs just as well as the Reverb plug-in, and lets you sample any number of rooms or banks from wherever you want.
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