While most of the other panel adjustments work exactly the same way they always have, the Hue/Saturation panel has also had some new, interesting changes to its operation. When you click the Saturation tab, a new slider opens below the image with which you can quickly adjust the saturation of the image. This should make it easier to make quick adjustments to the saturation of the reds and greens in the image without having to go into one of the other adjustment options. Plus, you can use this adjustment option to quickly adjust the saturation of the whole image, or just one color using the many well-chosen preset colors the Adobe developers created. However, there seems to be a discrepancy between the image preview and the actual adjustments made, making it difficult to get the saturation exactly right.

Given my concerns about the Selection of Colors feature, I have to hand it to Adobe for making such a useful adjustment panel. There are a few ways that this feature could go wrong, but it actually seems to work pretty well. It lets you adjust the colors in the image that you’d like to keep and the colors you want to change to black and white, and then you can simply click and drag the sliders above the preview to make quick adjustments to the colors you want to keep and the colors you want to change. Let me give a few examples of how this could be useful:

The newest version of Camera Raw has just been updated to the latest version, Version 11.4.2. Before, you could toggle on and off the panel previews, but now you can choose an image window from the background, or just continue to toggle through them. This is really helpful, as it means that you no longer have to scroll through them all. In addition, when you pull down the menu bar at the top and navigate to the menu bar settings, you can now access a list of all your image windows, each of which shows an image, either as a preview or as a viewfinder. (FYI, for this test, I fired up Aperture.) The full list of panels is shown below (in case youre wondering, I only have a couple of panels that I use, but most people will have a lot more):

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The Vignette tool lets you evaluate the effect of camera vignetting, diagonals, lens dust, and other camera and lighting issues when editing images. It controls the degree of the effect by varying the amount of vignetting (from 50 to 100 percent) and also lets you adjust its position and aspect ratio. In other words, use the Vignette tool to soften the edges of an image, pull focus back, and reduce the intensity of shadows. Using the Vignette tool is essentially the same as selecting the vignette effect from the menu.

The new web-based version of Adobe Camera Raw Lifetime Version has automatic correction of skin tones (skin smoothing). This tool helps to boost the look of skin in portraits and people close to the camera. The feature applies a vignette effect to the image so the sky (for example) will not appear past the edge of the picture. It also allows you to specify if you want to have the correction applied automatically or manually. Other improvements include the ability to save settings to files using the new Save Settings… command.

Those are the only benefits and limitations that I could find and other than one small thing Adobe Camera Raw 14.5 is exactly the same as previous versions. Sorry my friends for Sony Camera Raw.

The new Rendering engine helps to dramatically speed up previews, shows and other forms of display. It offers performance enhancements for users of larger high-dynamic-range, high-resolution, and high-bit-depth images. The improvements, which include rendering time reductions and the ability to render to a virtual device display, help enable interactive features such as the Touch Preview and the magnifier tool. The changes also take effect to Adobe XD, the design software for mobile-first interactions.

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The good news is that if you use Adobe Camera Raw to fix RAW images the way you shoot them, the better the camera makes those images look and the fewer adjustments you have to make after the fact. The new version of RAW2D is a more powerful raw processor than anything that came before it.

Many users arent familiar with raw images, so in recognition of this, Adobe have included a method for photographers to preview their images as a raw file. Over the top of any image, there is a button which will display a preview of your image in the form of a straight rectangular panel, similar to the panel we used for navigating to new images during the straight carousel editing mode, but with a number of adjustments. With a quick press of this button, we can view the image in straight carousel mode or in straight and Canvas editing modes. Even if you arent a raw user, its well worth a look to see what the picture will look like straight out of Camera Raw. To turn this feature on, click the camera-looking icon in the top right corner of the toolbar.

When working in the Canvas editing view in Photoshop, Camera Raw will read the selected image as a live preview in real time, and will apply all the edits as they are made to the live preview. Well not live, but close to live.

With certain file formats, Camera Raw will import settings into the preview image that can be modified directly, e.g. the white balance. Other settings, such as the exposure compensation and sharpening, must be applied by the user. By default, all the settings on the canvas are auto-applied in the live preview.

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• Mac OS X 10.7.5 or later or PC OS Windows 7 SP1 or later

• Support for RAW files from all cameras
• Adobe Camera Raw 14.5 interface
• Support for all RAW formats (including RAW+JPEG)
• Adobe Photoshop CC 2015 – December Update – Image Processor not installed, Camera Raw processing is turned off.
• Adobe Lightroom Classic CC 2015 – December Update – Processing Engine is now processing images up to 5x faster.
• Adobe Camera Raw 14.0.1 – December Update
• Adobe Lightroom Classic CC 2015 – June Update – Camera Raw CPU usage reduced by 10%

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