Get more tools for keeping your workflow together with Pro Tools Combination Clip: You can organize scenes, group clips by type, and even add labels to help you find your clips more easily. Just drag a clip to the Combination Clip to instantly create a group, and use it when you add the clip to the session. And learn more about the new Combination Clip.

Fully Automate the Audio & MIDI Referencing process with Clips & Templates: Use Clips & Templates to put a reference marker for every clip in your mix and then automatically rearrange them in any order you want, in the order that’s best for your mix. Then you can choose to have Pro Tools automatically place that reference marker on every clip in your entire current session. Or you can even take it one step further, and have Pro Tools put matching reference markers for each clip in your Session.

Get the tools you need for the perfect playback experience with Pro Tools X. The new interface makes it easier to see and manipulate audio and video clip information, such as audio rate, video format, and more. And you’ll be able to play any clip on a waveform display, as well as in the waveform window or on a hardware monitor.

Get Pro Tools X Now! Meet the same robust audio editing tool that Pro Tools has always been. Featuring a redesigned, intuitive user interface, powerful new editing features, new connectivity features and more, Pro Tools X is a must have for every Pro Tools engineer.

Avid is now showcasing some of the world-class effects that can be achieved inside Pro Tools. If you live and breathe FX, then youll be able to see what Pro Tools can offer – without having to buy the whole studio! LFO Interrupter, Envelope Follower, Iso Damp, and Transient Enhancer are all included in this collection of six plug-ins, available for Mac, PC, and Mac OS. Subscribe to the newsletter to be the first to know when these are available to all Pro Tools users.

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Pro Tools HD is the equivalent of an entry-level analog console, with basic modeling and some effects, but no virtual wind or breath monitors, AIR tools, or Pro Compression. At $119.99 per month (or $499 for perpetual), it’s not that good a deal, but for the price it’s a definite bargain. I use this product daily to mix and cut in my studio, usually bypassing Compressor entirely. I love its ease of use, workflow, and the ability to multitrack all inputs. In that regard, it’s basically the opposite of Pro Tools Artist, but to me, it’s actually my favorite of the three Avid product lines. The interface is simple and straightforward and doesn’t get in my way. Pro Tools HD is a bit of a switcher’s tool; I use it for almost everything and I work only with it at the MixConsole level, but it’s great for time-saving and mixing styles when you have to mix through more than one track. It also has many more plug-ins than the other two, and I love them.

The cool thing about Avid is that they have made the workflow across all their products and solutions better. Avid is a leader in the industry, and their gear and software is very high quality. They are gradually improving the workflow and usability to keep people coming back. In my case, the biggest problem with the other products was that they would spend a huge amount of time loading. With the IK, at least it’s instant and snappy, and it’s like having a new product.

Spine, you can create a whole host of audio and MIDI tracks, including anything from drum kits to guitars to vocal tracks, and when you add MIDI tracks, you can record it all into Pro Tools. Once you’ve got your audio tracks all sitting nicely on a timeline, you’re ready to put in the mix.

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But if you’re looking to learn how to use Pro Tools, you’ll want to go with either the Avid Artist or Pro Tools Artist, and that one gets you the Professional Suite with all the instruments and the other features.

Avid says the new, full version of Pro Tools is the world’s leading DAW thanks to its thoroughness and the inclusion of most of the current industry’s best virtual instruments and effects. A few weeks ago, I had a chance to get a first listen and want to share what I found.

When the revamped Xpand plug-ins were announced, I thought the reason Avid could charge so much for it was that they are a high-end product and, no doubt, when you pay for something, you’re paying for that. They’re not. The Xpand plug-ins are just very good, and I enjoyed them. I didn’t need to pay for them, but I did it anyway because I liked them and what they’ve been doing for the industry. I’m glad Avid followed through on some of the user feedback and did a better job.

It delivers a lush, reverberant sound with superb reverb tail in all the main areas of the mix without artifacts or harshness. Overall, it reminds me of the most expensive reverbs I’ve heard. (The ones from Waves, most notably)–and that’s good, because I like Waves’ reverbs and I know many Pro Tools users do as well.) DFX brings super transparent reverb and saturation to mixes, and it does it without annoying harshness. The low-frequency content of this plug-in is also unmatched. I was hoping Avid would include two other excellent plug-ins: SuperMAX, which adds analog-style compression with a classic API Super Stereo; and Phenomena (which is free with Pro Tools, but not necessarily the only one that can be used with Phenomena) that adds a tube-style chorus, flanger, and delays.

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• Custom UI Controls with Color, Size, and High Contrast
• Enable high contrast mode or enable custom UI colors for any control
• Enable UI elements to be toggled on or off
• Enable system fonts to be toggled on or off
• Control which cursors users can select
• Select a contrasting system background color
• Control the background color of floating windows
• Several UI themes to choose from

• Able to cross dipolize between audio and MIDI devices. Use from the operating system level.
• Support for multi-core systems, to help process audio faster.
• Plug-in to feature and streamline audio creation.
• Recover from rare glitches in audio media. Workload can now be recovered with precision. (Prior to this functionality, the process was not 100% predictable)
• Record, trim and resync audio using Avid Tools such as LinkEdit or AU from other Avid solutions.
• Support for major editing tasks as well as visual effects.
• Promotes interoperability and file exchange with other formats.
• Support for popular audio technology as well as seamless integration with Pro Tools.
• Active in the community. Create a project, share it with others and use it immediately. One project can encompass a mix of audio and MIDI, and you can add video on top.
• Ready to go – completely portable and easily uploaded to cloud computing.

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