While I’m not exactly sure what the why is, these two versions are very similar in many ways, but not in all ways. In version 18.1, the Pro version of Samplitude adds new features and enhancements. The latter half of the release focuses on workstation usability and integration, and the user interface appears to be updated. There are new automation lanes, and various other editorial aids that might help with workflows. These various features are added throughout the program, and are not tied to a new timeline window. On the new timeline, the screen changes from the old 2.0 design (green and grey views) to the current 4.0 design (themed blue, green, orange, and grey).

Magix Samplitude Pro X7 is another big step forward in the professional DAW. While it doesn’t come without its quirks, most of the issues I’ve seen so far are a small price to pay for an extremely powerful recording, mixing, and mastering solution. The interface, tools, and functions have been updated to bring it into the current mainstream. It’s no wonder that Samplitude is trusted by industry pros to record, mix, and master critical projects for a wide variety of musicians.

I’ve been using Samplitude for about 2.5 years. I’ve always bought it and never considered anything else. So, after a recent scare, I just bought the latest version and I have to say, it’s well worth it.

I really like the layout and design. I have come to really appreciate the ability to vary the timeline using the 4 th view: Charts on top, general controls, loop markers on the bottom, and audio to the left.

I do like the new wave display, but it’s not so useful to me as I don’t really spend that much time in the wave display. It’s great if you’re working with real time audio, and while it’s nice to see the wave display for real time, I like to see the wave while editing more, and the wave never really appears on top of the grid.

The new waveforms were cool, but they might need to be displayed in the wave display. It would be cool if the wave display is off the grid, and the waveform view is displayed in the grid. I think I found the new waveforms a little disorienting while I was looking through the menus.

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Subscription and cancellation conditions: Samplitude Pro 365 will be available immediately after payment and activation. The charge for the minimum term is payable as a single sum upon conclusion of the contract. The minimum term begins on the date of purchase. The contractual period of Samplitude Pro 365 will be automatically extended by one month at a time until you cancel the agreement You will be informed well in advance if the extension rate or taxes included change. A cancellation is possible up to 1 day before the end of the contract period. To cancel the contract, please send an email stating your customer number to: infoservicemagix.net

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MAS X7 Pro includes custom workflows and first-rate editing tools. At Sweetwater, we’ve found that tailoring its work environment to our personal preferences is a breeze, thanks to flexible docking options. The DAW gives you free reign to drag and drop, as well as reposition and resize, many of its interface elements and toolbars. Melodyne Essential is tightly integrated into the DAW, supplying you with real-time pitch and time shifting, as well as timing correction and audio-to-MIDI capabilities. zPlane’s lastiquePro v3 for natural-sounding pitch and time manipulation. Spectral editing allows you to surgically eliminate unwanted sounds. Object-level editing, which is essentially clip-based editing on steroids, expands your creative options beyond basic track-related editing. And in Samplitude Pro X7, you get a dynamic toolbox offering classic comping, groove creation, and drum replacement. All of this is backed by Samplitude’s new MAS Stack, which adds live mixing to your workflow.

The newly released MAS X7 pro version includes custom workflows and first-rate editing tools. At Sweetwater, we’ve found that tailoring its work environment to our personal preferences is a breeze, thanks to flexible docking options. The DAW gives you free reign to drag and drop, as well as reposition and resize, many of its interface elements and toolbars. Melodyne Essential is tightly integrated into the DAW, supplying you with real-time pitch and time shifting, as well as timing correction and audio-to-MIDI capabilities. zPlane’s lastiquePro v3 for natural-sounding pitch and time manipulation. Spectral editing allows you to surgically eliminate unwanted sounds. Object-level editing, which is essentially clip-based editing on steroids, expands your creative options beyond basic track-related editing. Samplitude Pro X7 includes dynamic toolboxes for classic comping, groove creation, and drum replacement.

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