We think PreSonus is doing a heck of a job with Studio One and that its made great strides. PreSonus has continued to improve this program for years, and I think that the version 5.5.2.86528 is a good version. When you look beyond the interface changes, it is a better, not groundbreaking, but better than ever. You can check out the changes in detail, and see some cool new features, here.

Studio One is a powerful DAW, and its always gotten better and better. It offers a broad feature set with plenty of room for expansion, and it works like it was designed for the user. Studio One has been a trusted choice of pros for years, and if you need a reliable DAW for Linux, Mac, or Windows, I think its the place to look.

When It comes to DAWs, theres PreSonus Studio One, PreSonus Studio 2, and Avid Pro Tools, but a very fine line separates them all. Avids Pro Tools recorders are still the most expensive, and Daws are constantly evolving (Studio One included). Its still one of the easiest to use, however. If your a novice, or an artist, its an excellent DAW for you!

The new Visual Mixing tool is still just a prototype, but it’s a cool new way to view and process audio and MIDI in parallel. With each audio and MIDI track represented as a window in your Studio One workspace, you can mix and process tracks as a whole, rather than each individual track. You can mute or solo instruments, adjust panning, adjust levels, and add effects. Theres even an optional De-Ess filter.

Web Player. PreSonus has finally upgraded the web player to use HTML5. This means that the web player runs on any device where you can view HTML5 apps, including iOS and Android. The player can also be viewed in your browser using your preferred browser (although it isn’t a Universal app).

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Studio One is a huge, intricate collection of very important, but in my opinion, often under-appreciated, tools and capabilities. In part, that’s because it is wrapped up in what appears to be a hugely disruptive and long-term upgrade of its underlying code, which is considered more important than the sometimes-frustrating experience of using some of the tools involved. And PreSonus has addressed many of those issues, for example, the loss of our custom Spline Set command and the lack of the Smart Tool to export sets of patterns. As you may have guessed, that is all great news. Most of PreSonus Studio One 5 Professional 5.5.2.86528 features.

Not that the editing tools are unusable without access to a Melodeyne pitch correction plug-in, but it does make the process a bit quicker. At the time of writing, only the FL Studio integrations with pitch correction are there as yet, but the only big catch is that this feature is only available in the professional edition of Studio One. For those of you who aren’t aware, professional is available for an additional $599 per year.

Studio One 5.5 is really the first version of the app that delivers a decent level of synchronization with iLok. You can now assign bit-identical MIDI channels (eg: “MIDI Main Channel >> MIDI Track 2”), and Studio One will automatically assign the same Channel to any MIDI-triggered track you’ve got in a bounce or export, whether its working from an iLok, a hardware MIDI controller, or any other MIDI track you’ve got. If that means triggering a track, MIDI or audio, or editing audio with the ‘External Instrument’, it’s all easily done from within the tool. In 5.5, this feature now works on the iPhone too.

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PreSonus was also keen to expand the tools beyond the studio and has added a decent control room-style DAW automation engine that works much like the one offered in Pro Tools. Its Studio One Control Room plug-in now includes multi-zone parametric EQ, reverb control, time and phase display, along with surround sound and option panels in the headphone. Now, Studio One comes with a very capable virtual mixer with extensive channel routing and effects options.

New to Studio One is a deceptively powerful new EQ. “Create your own EQ, rather than having it preset for you,” PreSonus says. I have to agree, it’s very powerful and I actually wrote a review of it for Sound on Sound magazine. PreSonus also includes a number of new filters. I’ve reviewed them in a few reviews, too, though, and they sound great.

While this review features Studio One, it really focuses on the tools for high-resolution release creation, which are effectively the same as PreSonus Fat Channel 4 plug-ins, plus a few new ones. Beginners might be better served trying Fat Channel 2, the more novice-friendly, lower-priced plug-ins that run under cheaper versions of Windows. Studio One Professional 5 comes fully loaded with Fat Channel 4 plug-ins as well as a free album of special sound sets, as well as the optional FatChannel4 Suite, which adds several other plug-ins like the Super Dramatic Equalizer and the TubePreamp as well as effects and delay.

A previous effort PreSonus made in this space was the Studio One digital mixer, which was like a DAW on steroids. While it never caught on with the general public, its toolsets and ease of use differentiated it. Thats not to say its not a good tool; it just wasn’t for everyone. This DAW has a couple of advanced toolsets, but they are not too daunting. You can assign up to four different plug-ins to one in/out or both in/out; assign a single track to four trackers, and even a single clip (or loop) to four trackers; you can load plug-ins with its own parameters. With those in mind, I would say this DAW requires a firm understanding of the tools, and a tolerance for touch. The Mixer looks like an extension of the timeline; you can zoom into segments and view the mixer within those, and zoom as much as you like. You can even have loops, buses and so on active in the mixer (you can use multiple instances of each), and you can re-map up to four plug-ins to out or in at once, so you can have your composer, keyboardist, guitarist and drummer all mixing their own tracks at the same time. Its much more versatile than anything else on the market.

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• Updated 4K 4X to 4K 4.2 codec support.
• Added incremental updates to included plug-ins for expanded sound processing capabilities.
• Improved performance of PAD Libraries.
• More reliable volume meters and metering.
• Added Windows 10 64-bit compatibility.

• Windows XP/Vista/7/8 or Mac OS X 10.3 or later
• 8 GB of hard drive space
• RAM 1GB
• Processor 1.5GHz dual-core or higher
• Monitor speakers with a decent volume

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