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Woodley said his engineers love the 6.41-millimeter ball bearing threads, but more importantly, the change of the Pro100 allows them to provide a shelf-mounted inspection station that’s easy to access. Using the new assembly involves removing five screws and pulling up the top cover to reveal a 18-inch-high viewing table that runs the length of the machine.
After the old Pro100 came with a bit bucket and replaceable spool of cable, the new version is ruggedly designed so you can change bits and cables on the fly. Changing spools is easier and quicker, since the spool contains the bit/cable assembly rather than a separate bit housing.
The new Pro100 includes a rear-firing exhaust system, which features a straight exhaust line that’s mounted in the plenum and helps convey the noise and fumes out of the cabinet. The sound shield that covers the motor helps minimize noise. The new system also provides a filtered air intake, which can make the machine quieter or, if necessary, allows someone to operate the device while they’re next to a router.
Yamaha pro100 relaunched its team after a break of more than 3 years. The team kicked off with a positive performance at the 2011 G-1 Superweek event, where it placed 5th-6th in Group A, beating nations such as Brazil, Ukraine, and Russia. 
The Pro100 features a bigger graphics card than a ProV3, a Processor Graphics 9950 CPU, 8GB of RAM, and dual Nvidia Titan GPUs with 6GB of GDDR5 memory on the front side and 4GB of GDDR5 memory on the back, Woodley said. The Pro100 is also the first pro100 to have a redundant power supply, with an on-board generator.
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Users also have the option of setting their camera to record in 1280 x 720p or 1920 x 1080p resolutions for a decent value for money. The Pro100 also allows the camera to record at 24 fps or 30 fps through two ‘Motion Aware’ modes. This means that the camera will automatically slow down footage when movement is detected, but it will also freeze parts of the action as a type of stop-motion.
A bell and spigot coupler, made from galvanized steel and a 90 degree upward angle, is available to connect two Pro100 Series Camera Filter Holder sections. The included coupler can be used with 80mm and 75mm lengths of Pro100 Series Camera Filter Holder section (previously available only with 75mm lengths). Existing couplers can be removed to use 80mm lengths. Existing couplers are included with 80mm lengths and can be easily replaced when needed. Bells and spigots (see below) sold separately.
Spigots are available for diameters of 20mm, 22mm, 24mm, 28mm, and 32mm. Spigots are also available for diameters of 35mm and 40mm and lengths of 80mm, 100mm, 150mm, and 200mm. Included spigots are rust-proof and can be used to screw-attach the included Bell Collars and the included Coupler Rings that are made to be positively threaded on to Pro100 Series Camera Filter Holder sections.
Bell collars are supplied in 4 pieces for different diameters and lengths of Pro100 Series Camera Filter Holder. This includes couplers. The collar pieces are made of galvanized steel. Rings can be attached to Pro100 Series Camera Filter Holder after cutting in half. To prevent scattered light from being trapped in cut surfaces, the collars are sanded smooth and painted with matt black paint.
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Who Uses Pro100 6.41 and Why Is It Important?
Lane’s Patch For Pro100 pipe can easily replace the most commonly used PVC pipe, and has a higher gauge than that of the more common Rigid Polyvinyl Chloride (PVC) piping system. Lanes PRO100 pipe has higher water pressure ratings, making it suitable for more demanding and demanding purposes. The rigid PVC piping system will have a maximum allowable service pressure of 25 PSI (pounds per square inch), while Lane’s PRO100 pipe can withstand service pressures of at least 50 PSI. Above 50 PSI, PVC pipe has a reduced ability to resist erosion, corrosion, or pressure.
Whether or not a particular project will be fully processed and/or live rendered at an entertainment company depends upon many factors. A common misconception often found among aspiring pro100 users is that raw footage is completely lost when taken from a Live Production Pipeline to an entirely different pipeline. It is, however, true that if a project is going to be recomposed and exported as a finished project for distribution, the raw footage will be lost. However, most entertainment companies will not go back and rerender a live project from the video camera to a final plate over the course of an entire year. The workflow between a Live Production Pipeline and either the Reel to Reel or Finish Pipeline is a wide topic so, for a more detailed explanation of this, please see the “Who Does What?” section.
Most of the information on this website assumes you have a working knowledge of Cinema 4D, the proprietary modeling and texturing software that is the native 3D application of our Pro100 ACES. If you are unaware of how to use Cinema4D to the fullest, we have helpful tutorials in the “Tutorials” section, including both basic and intermediate ones.
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Pro100 6.41 System Requirements
Intel Core 2 Duo E6700 2.6 GHz processor
4GB of RAM
15.4GB of free hard disk space
High-definition Nvidia graphic card
Pro100 6.41 Features
- Subwoofer in cabinet.
- Three-way switch in front panel.
- Deep-voice bass system.
- Triple-layer PCB.
- 48” measurement capability.
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